<?xml version="1.0" encoding="utf-8"?><!DOCTYPE Zthes SYSTEM "http://zthes.z3950.org/schema/zthes-1.0.dtd">  <Zthes><term><termId>4503</termId><termName>natureza morta</termName><termType>PT</termType><termLanguage>pt-BR</termLanguage><termVocabulary>Vocabulário Colaborativo em Artes e Arquitetura</termVocabulary>	<termStatus>active</termStatus>	<termApproval>approved</termApproval>	<termSortkey>natureza morta</termSortkey><termNote label="Scope"><![CDATA[ <p><span>Images in which the focus is a depiction of inanimate objects, as distinguished from art in which such objects are subsidiary elements in a composition. The term is generally applied to depictions of fruit, flowers, meat or dead game, vessels, eating utensils, and other objects, including skulls, candles, and hourglasses, typically arranged on a table. Such images were known since the time of ancient Greece and Rome; however, the subject was exploited by some 16th-century Italian painters, and was highly developed in 17th-century Dutch painting, where the qualities of form, color, texture, and composition were valued, and the images were intended to relay allegorical messages. The subject is generally seen in oil paintings, though it can also be found in mosaics, watercolors, prints, collages, and photographs. The term originally included paintings in which the focus was on living animals at rest, although such depictions would now be called "animal paintings."</span></p>
<p><span>Source:&nbsp;<span>Art &amp; Architecture Thesaurus</span></span></p>
<p><span><span>http://vocab.getty.edu/page/aat/300015638</span></span></p> ]]></termNote><termNote label="Scope"><![CDATA[ <p><span>Imagens em que o foco &eacute; uma representa&ccedil;&atilde;o de objetos inanimados, diferentemente da arte em que tais objetos s&atilde;o elementos subsidi&aacute;rios em uma composi&ccedil;&atilde;o. O termo &eacute; geralmente aplicado a representa&ccedil;&otilde;es de frutas, flores, carne ou jogo morto, vasos, talheres e outros objetos, incluindo caveiras, velas e ampulhetas, normalmente dispostos sobre uma mesa. Essas imagens eram conhecidas desde a &eacute;poca da Gr&eacute;cia e Roma antigas; no entanto, o assunto foi explorado por alguns pintores italianos do s&eacute;culo 16 e foi altamente desenvolvido na pintura holandesa do s&eacute;culo 17, onde as qualidades de forma, cor, textura e composi&ccedil;&atilde;o eram valorizadas e as imagens destinavam-se a transmitir mensagens aleg&oacute;ricas. O tema &eacute; geralmente visto em pinturas a &oacute;leo, embora tamb&eacute;m possa ser encontrado em mosaicos, aquarelas, gravuras, colagens e fotografias. O termo originalmente inclu&iacute;a pinturas em que o foco era em animais vivos em repouso, embora tais representa&ccedil;&otilde;es fossem agora chamadas de "pinturas de animais". </span></p>
<p><span>Fonte: AAT</span></p>
<p><a href="http://vocab.getty.edu/page/aat/300015638"><span><span>http://vocab.getty.edu/page/aat/300015638</span></span></a></p> ]]></termNote><termCreatedDate>natureza morta</termCreatedDate><termModifiedDate>2023-03-13 10:37:14</termModifiedDate><relation><relationType>BT</relationType><termId>3128</termId><termName>artes (gênero)</termName><termType>PT</termType></relation></term>  </Zthes>