<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
	mads.xsd"><authority><topic authority="https://vocabularios.eca.usp.br/vcaa/">new wave (film movement)</topic></authority> <note xml:lang="en-US">&lt;p&gt;Mode of thought originating in the late 1950s, especially among French filmmakers such as Louis Malle, François Truffaut, Alain Resnais, and Jean-Luc Godard. The movement is most known for its theories based on the idea that directors that dominated their films became the film&apos;s author and creator. The style features innovations in film editing such as scene changes set in rapid sequence, or &apos;jump cuts&apos;, that produce disconcerting, disjunctive effects in the overall narrative.&lt;/p&gt;
&lt;p&gt;Source: Art &amp;amp; Architecture Thesaurus&lt;/p&gt;
&lt;p&gt;http://vocab.getty.edu/page/aat/300022194&lt;/p&gt; </note></mads>