<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
	mads.xsd"><authority><topic authority="https://vocabularios.eca.usp.br/vcaa/">arte concreta</topic></authority><related type="broader"><topic>movimentos (arte)</topic></related><variant type="other"><topic>concretismo</topic></variant> <note xml:lang="pt">&lt;p&gt;&lt;span&gt;Termo cunhado em 1930 por Theo van Doesburg para caracterizar uma forma de pintura n&amp;atilde;o figurativa na qual os elementos pict&amp;oacute;ricos, planos e cores n&amp;atilde;o t&amp;ecirc;m outro significado al&amp;eacute;m de si mesmos. Ele pretendia distinguir entre outras formas de abstra&amp;ccedil;&amp;atilde;o, em d&amp;iacute;vida com o ilusionismo, imitando o mundo vis&amp;iacute;vel ou natural, e as pinturas que s&amp;atilde;o produtos da mente humana. A defini&amp;ccedil;&amp;atilde;o foi elaborada por Max Bill em 1936 em um cat&amp;aacute;logo para a exposi&amp;ccedil;&amp;atilde;o Zeitprobleme in der Schweizer Malerei und Plastik. Em 1960, Bill organizou uma exposi&amp;ccedil;&amp;atilde;o de obras que se encaixavam em sua defini&amp;ccedil;&amp;atilde;o e que estabeleceu a arte concreta como um movimento internacional.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Fonte:&amp;nbsp;&lt;span&gt;Art &amp;amp; Architecture Thesaurus&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; </note> <note xml:lang="en-US">&lt;p&gt;&lt;span&gt;Term coined in 1930 by Theo van Doesburg to characterize a form of non-figurative painting in which the pictorial elements, planes and colors, have no significance other than themselves. He meant to distinguish between other forms of abstraction, indebted to illusionism mimicing the visible or natural world, and paintings that are products of the human mind. The definition was elaborated upon by Max Bill in 1936 in a catalog for the exhibition Zeitprobleme in der Schweizer Malerei und Plastik. In 1960 Bill organized an exhibition of work that fit his definition, and that established Concrete art as an international movement.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Source:&amp;nbsp;&lt;span&gt;Art &amp;amp; Architecture Thesaurus&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;http://vocab.getty.edu/page/aat/300021436&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; </note></mads>