{"@context":{"dc":"http:\/\/purl.org\/dc\/elements\/1.1\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skos:broader":{"@type":"@id"},"skos:inScheme":{"@type":"@id"},"skos:related":{"@type":"@id"},"skos:narrower":{"@type":"@id"},"skos:hasTopConcept":{"@type":"@id"},"skos:topConceptOf":{"@type":"@id"}},"@id":"https:\/\/vocabularios.eca.usp.br\/vcaa\/skos\/4707","@type":"skos:Concept","skos:prefLabel":{"@language":"pt-BR","@value=":"Neorealism (motion picture genre)"},"skos:inScheme":"https:\/\/vocabularios.eca.usp.br\/vcaa\/","dct:created":"2021-02-19 11:11:39","skos:scopeNote":[{"@lang":"en-US","@value":"Film movement began in Italy near the end of World War II, typified by the use of both professional and non-professional actors, ordinary settings and themes, and the rejection of the happy-ending story. The films tend to focus on social issues and the everyday problems of its characters.\nSource: Art & Architecture Thesaurus\nhttp:\/\/vocab.getty.edu\/page\/aat\/300375135 "}]}