{"@context":{"dc":"http:\/\/purl.org\/dc\/elements\/1.1\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skos:broader":{"@type":"@id"},"skos:inScheme":{"@type":"@id"},"skos:related":{"@type":"@id"},"skos:narrower":{"@type":"@id"},"skos:hasTopConcept":{"@type":"@id"},"skos:topConceptOf":{"@type":"@id"}},"@id":"https:\/\/vocabularios.eca.usp.br\/vcaa\/skos\/4702","@type":"skos:Concept","skos:prefLabel":{"@language":"pt-BR","@value=":"neoimpressionismo"},"skos:inScheme":"https:\/\/vocabularios.eca.usp.br\/vcaa\/","dct:created":"2021-02-19 11:09:00","skos:scopeNote":[{"@lang":"en-US","@value":"Refers to an avant-garde, European art movement and style that flourished from 1886 to 1906; term was coined by the art critic F\u00e9lix F\u00e9n\u00e9on in a review, \u2018Les Impressionistes\u2019 (in La Vogue; Paris, 1886). Is identified particularly with a group of French artists including those exhibiting in the eighth and last Impressionist exhibition (1886); Camille Pissarro, Lucien Pissaro, Paul Signac, and Georges Seurat exhibited their work in one room, asserting a shared vision. Other artists who practiced the style were Charles Angrand, Louis Hayet, Henri Edmond Cross, L\u00e9o Gausson, Hippolyte Petitjean, Albert Dubois, and Maximilien Luce. Neo-Impressionism both developed out of Impressionism and was a reaction against it. Like Impressionism, Neo-Impressionism was concerned with light and color but while the former was typically spontaneous and empirical, the later was based more on scientific principles and resulted in formalized compositions. While relatively short-lived, the movement had a large impact on other artists and movements of the late 19th and early 20th centuries.\nSource: Art & Architecture Thesaurus\nhttp:\/\/vocab.getty.edu\/page\/aat\/300021505 "},{"@lang":"pt","@value":"Refere-se a um estilo e movimento de arte europeu de vanguarda que floresceu de 1886 a 1906; O termo foi cunhado pelo cr\u00edtico de arte F\u00e9lix F\u00e9n\u00e9on em uma cr\u00edtica, \"Les Impressionistes\" (em La Vogue; Paris, 1886). Identifica-se particularmente com um grupo de artistas franceses, incluindo os que exp\u00f5em na oitava e \u00faltima exposi\u00e7\u00e3o impressionista (1886); Camille Pissarro, Lucien Pissaro, Paul Signac e Georges Seurat exibiram seus trabalhos em uma sala, afirmando uma vis\u00e3o compartilhada. Outros artistas que praticaram o estilo foram Charles Angrand, Louis Hayet, Henri Edmond Cross, L\u00e9o Gausson, Hippolyte Petitjean, Albert Dubois e Maximilien Luce. O neoimpressionismo desenvolveu-se a partir do impressionismo e foi uma rea\u00e7\u00e3o contra ele. Como o impressionismo, o neo-impressionismo preocupava-se com a luz e a cor, mas enquanto o primeiro era tipicamente espont\u00e2neo e emp\u00edrico, o \u00faltimo se baseava mais em princ\u00edpios cient\u00edficos e resultava em composi\u00e7\u00f5es formalizadas. Embora tenha vida relativamente curta, o movimento teve um grande impacto em outros artistas e movimentos do final do s\u00e9culo 19 e in\u00edcio do s\u00e9culo 20. \nFonte: AAT\nhttp:\/\/vocab.getty.edu\/page\/aat\/300021505 "}],"skos:broader":["https:\/\/vocabularios.eca.usp.br\/vcaa\/skos\/2731"],"skos:altLabel":[{"language":"pt-BR","value":"divisionismo"}]}