{"tema_id":"2843","string":"arte concreta","created":"2021-01-12 21:48:02","code":null,"notes":[{"@type":"Nota de escopo","@lang":"pt","@value":"Termo cunhado em 1930 por Theo van Doesburg para caracterizar uma forma de pintura n\u00e3o figurativa na qual os elementos pict\u00f3ricos, planos e cores n\u00e3o t\u00eam outro significado al\u00e9m de si mesmos. Ele pretendia distinguir entre outras formas de abstra\u00e7\u00e3o, em d\u00edvida com o ilusionismo, imitando o mundo vis\u00edvel ou natural, e as pinturas que s\u00e3o produtos da mente humana. A defini\u00e7\u00e3o foi elaborada por Max Bill em 1936 em um cat\u00e1logo para a exposi\u00e7\u00e3o Zeitprobleme in der Schweizer Malerei und Plastik. Em 1960, Bill organizou uma exposi\u00e7\u00e3o de obras que se encaixavam em sua defini\u00e7\u00e3o e que estabeleceu a arte concreta como um movimento internacional.\nFonte:\u00a0Art & Architecture Thesaurus "},{"@type":"Nota de escopo","@lang":"en-US","@value":"Term coined in 1930 by Theo van Doesburg to characterize a form of non-figurative painting in which the pictorial elements, planes and colors, have no significance other than themselves. He meant to distinguish between other forms of abstraction, indebted to illusionism mimicing the visible or natural world, and paintings that are products of the human mind. The definition was elaborated upon by Max Bill in 1936 in a catalog for the exhibition Zeitprobleme in der Schweizer Malerei und Plastik. In 1960 Bill organized an exhibition of work that fit his definition, and that established Concrete art as an international movement.\nSource:\u00a0Art & Architecture Thesaurus\n\n\u00a0http:\/\/vocab.getty.edu\/page\/aat\/300021436 "}]}